It is a handy way to manage all the processes Final Cut is carrying out and helps contribute to the increased simplicity found across the program. From here you can jump to specific moments in an edit by inputting a time, or view all the tasks being carried out by the program in the background. In the centre of the editing console is a dial which shows time, levels and the percentage of clip rendered. For those averse to the macro approach, the one click access to things like colour balance and speed control is definitely handy. Of course the option is still there to simply learn keyboard shortcuts. The revamped toolbar in the middle of Final Cut X acts as a sort of quick menu for any tools you might want rapid access to when editing video. Apple has worked some serious programming black magic here, with 1080p clips playing back smoothly even on lowly 13-inch MacBook Air. In fact any video which you move your cursor over will be played in the top right. You can preview video by simply moving your cursor over clips in the top left box. The timeline sits below a toolbar, with an event library and clips on the top left and playback of the video project on the right. The black/grey background with blue coloured film strips and audio is dangerously close to Apple’s bundled movie editing software.Īpple have been careful to retain the standard three box approach to video editing that Final Cut became so well known for. LayoutĪ quick glance at Final Cut’s new look and you could be forgiven for mistaking it for iMovie. The pair operate as independent programs and whilst both will function on OSX Lion, it looks like Apple is trying to move its primary video editing software forward. One major uh-oh with the new Final Cut Pro X is that projects from Final Cut 7 cannot be imported into the new software. For some the options there may simply just not be enough but for others, who want to get started with editing as quick as possible, it is a welcome change. Just like the preferences menu, the import dialogue has been stripped down to the point where many will criticise it for lack of functionality. Things like background rendering (which we will talk about later) can also be managed from here. Editing, playback and imports can be customised to your liking. Three tabs are now all that there is to govern your Final Cut experience. Imports can be managed from Final Cut Pro X’s totally revamped preferences menu, which unlike previous offerings of the software is highly simplified. The software can be told to analyse for stabilisation and rolling shutter, colour balance, audio problems and even silent channels. The new version of Final Cut does all kinds of clever things in the background while video is imported. We found AVCHD video needed to be imported from a memory card via the import from camera option and not the import files method. It is worth noting that some files won’t be recognised unless taken straight from camera. This can be done either direct from camera or using a file on your computer. With Final Cut X it looks like Apple hopes to change all that, creating what initially appears to be a more adaptable version of iMovie, but with all the power of previous generations of the software retained. So have they managed it? Has Apple succeeded in instilling its signature ease of use into Final Cut without losing any of its power? Importing videoīefore you can get started editing a movie in Final Cut you need to import it.
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